Press (Details Page)


CityArts - August 2013
Written by Jay Nordlinger

Jerome Rose presides over the annual piano extravaganza at Mannes College. More formally, this extravaganza is the International Keyboard Institute & Festival, or IKIF. Rose is its founder and director. IKIF takes place in the second half of July. And, every year, Rose gives the opening recital.

IKIF is celebrating its 15th year, a veritable institution here in New York. It is appreciated, and attended, by pianists and piano cognoscenti all over town, and from out of town. There is nothing else like it. Students get taught. Professionals give recitals. And the vast piano repertory is explored. True, Rose played four canonical sonatas. But IKIF typically gives you music from way off the beaten path.

The second half of Steven Mayer’s program was all-American—beginning with Silver Spring, by William Mason, whose dates are 1829 to 1908. This is not an immortal piece (though it is still being played in 2013, isn’t it?). But I’m glad to have heard it. And where else could you, besides IKIF?

The piano repertory is wide and wonderful, and Jerome Rose’s festival reminds a person of that fact.

CityArts - August 2013
Written by Jay Nordlinger

Jerome Rose presides over the annual piano extravaganza at Mannes College. More formally, this extravaganza is the International Keyboard Institute & Festival, or IKIF. Rose is its founder and director. IKIF takes place in the second half of July. And, every year, Rose gives the opening recital.

IKIF is celebrating its 15th year, a veritable institution here in New York. It is appreciated, and attended, by pianists and piano cognoscenti all over town, and from out of town. There is nothing else like it. Students get taught. Professionals give recitals. And the vast piano repertory is explored. True, Rose played four canonical sonatas. But IKIF typically gives you music from way off the beaten path.

The second half of Steven Mayer’s program was all-American—beginning with Silver Spring, by William Mason, whose dates are 1829 to 1908. This is not an immortal piece (though it is still being played in 2013, isn’t it?). But I’m glad to have heard it. And where else could you, besides IKIF?

The piano repertory is wide and wonderful, and Jerome Rose’s festival reminds a person of that fact.

CityArts
August 2013
Written by Jay Nordlinger

Jerome Rose presides over the annual piano extravaganza at Mannes College. More formally, this extravaganza is the International Keyboard Institute & Festival, or IKIF. Rose is its founder and director. IKIF takes place in the second half of July. And, every year, Rose gives the opening recital.

IKIF is celebrating its 15th year, a veritable institution here in New York. It is appreciated, and attended, by pianists and piano cognoscenti all over town, and from out of town. There is nothing else like it. Students get taught. Professionals give recitals. And the vast piano repertory is explored. True, Rose played four canonical sonatas. But IKIF typically gives you music from way off the beaten path.

The second half of Steven Mayer’s program was all-American—beginning with Silver Spring, by William Mason, whose dates are 1829 to 1908. This is not an immortal piece (though it is still being played in 2013, isn’t it?). But I’m glad to have heard it. And where else could you, besides IKIF?

The piano repertory is wide and wonderful, and Jerome Rose’s festival reminds a person of that fact.


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The International Keyboard Institute & Festival is a publicly supported 501(c)(3) organization.
Any contribution will be greatly appreciated and is tax deductible to the full extent of the law.

The International Keyboard Institute & Festival is a
publicly supported 501(c)(3) organization. Any contribution will be
greatly appreciated and is tax deductible to the full extent of the law.

The International Keyboard Institute & Festival is a publicly supported 501(c)(3) organization. Any contribution will be greatly appreciated and is tax deductible to the full extent of the law.